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Crystal Beth Debut Album PUSH THRU on Trey Gunn's 7D Media (Read 18 times)
 
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Crystal Beth Debut Album PUSH THRU on Trey Gunn's 7D Media
2nd Oct, 2019 at 3:54pm
 
Crystal Beth Unleashes Her Debut Album PUSH THRU on Trey Gunn's 7D Media– October 18

Crystal Beth is what happens if you cross Frank Zappa, Yoko Ono, Patti Smith, and Janice Joplin

Crystal Beth unleashes her first full-length studio record, PUSH THRU, a solo incarnation using wailing vocals, amplified clarinet, beat-boxing and electronics to weave a sonic universe all her own. The album will be released on Trey Gunn's 7D Media on October 18, 2019. Beth has been described as “world music from an imaginary planet..quite compelling & magical” (Seattle Times), “a supremely versatile and virtuosic maverick” (The Stranger), and “one of the most fearless and innovative musicians in the city…” (Earshot Jazz). Known for crafting aural rituals that encompass industrial chants, alien disco breaks, heart gushings, and robot love songs, Crystal Beth redefines the possibilities of the voice and clarinet in tight experimental pop songs and undulating, cathartic noise cries. Crafting moments that ricochet between meditation and a full body purge, she is an electric, adrenaline inducing performer voted Seattle's Best Classical Musician and nominated for NW Vocalist of the Year.

Rooted and defined by singing in her own syllabic language, Crystal Beth began in 2010 and she performs solo using loop pedals and delays, and a five-piece rock outfit (the Boom Boom Band) to craft and explore her idiosyncratic and distinctive original music. Seattle's The Stranger magazine writes “You can find {Crystal Beth} fearlessly indulging her wildest creative inklings whenever she materializes in a musical forum…Crystal Beth & the Boom Boom Band falls somewhere between the grisly skronk-punk of Stickers and earthy freak-indie of tUnE-yArDs, but even fans of those left-of-center acts will be thrown for a loop. Wailing vocals not bound to any conventions but {her} own, paired with percussive 'Bethnic chants,' are set over freely drawn jazz figures and world-y rhythms.”

The music on this record is primal and visceral, sweet and expansive. It's a completely solo work- recorded in 2 days of full live takes at Studio Litho with engineer Floyd Reitsma (Pearl Jam, Audioslave, Dave Matthews Band), mixed by Marcel Fernandez (Foo Fighters, ZZ Top, Molotov), and mastered by Michael Cozzi (Sky Cries Mary, Security Project, Bill Rieflin). With artwork by Mexican artist Ale De la Torre, Crystal Beth's PUSH THRU is available on vinyl, CD, and digitally.

With the reflexes of a mongoose, Crystal Beth spins cathartic hardcore purge pop art punk - sweaty, trance inducing, heart-pouring – these are sonic cupcakes for your soul.

Crystal Beth_orbs_Joe Iano med res.jpg

Crystal Beth has 20 years of professional international performances under her full name, Beth Fleenor, where she has been featured on recordings with polymaths including Wayne Horvitz, Jherek Bischoff, and Julie Slick, and includes performances with David Byrne, Terry Riley, Butch Morris, Bobby Previte, Trey Gunn, Robin Holcomb, Joshual Kohl/Degenerate Art Ensemble, Matana Roberts, Skerik, Tamar Kali, LaFrae Sci, Seattle Symphony, Wordless Music Orchestra, Samantha Boshnack, Led To Sea, Mirah, Soko, William O. Smith, Eyvind Kang, Malcom Goldstein, Jessika Kenney, Paris Hurley / Object As Subject, Timothy Young, John Tchicai, Gretta Harley, Mike Dillon, Briggan Krauss, Parenthetical Girls, Gino Yevdjevich/Kultur Shock, Amy Denio, and Shane Parish & Ryan Oslance / Ahleuchatistas – often doing upward of 170 shows a year in different genres. 

Her work has been heard in 100,000 seat rock festivals, maximum-security prisons, and some of the most prestigious concert halls, museums, clubs and theaters in the world. Believing that “art is the discipline of being,” Fleenor uses sound to open the channels of communication between and within individuals and environments. Her work as been heard in live music, recordings, theater, performance art, installation, modern dance, and film. She believes that “an emphasis on creativity in a culture gives rise to creative solutions to social problems.”

Along with the straight-forward stamp of “excellent” from the New York Times, Fleenor has been called an “exceptional clarinetist” by the Seattle Times, and The Seattle Weekly writes, “If you’re getting tired of music that’s even remotely formulaic, Beth Fleenor is for you. Her experimental mixing of genres is powerful and refreshing.” Earshot Jazz has described her as “one of the most fearless and innovative musicians in the city…” and City Arts Magazine remarks “Beth Fleenor transcends labels – a multi-talented, creative force in Seattle.”

Crystal Beth began after Fleenor spent years collaborating with other musicians and artists, when she starting bursting at the seams with her own compositions. After years as a free improviser, Crystal Beth is Fleenor's first project that focuses entirely on her original songs.

She speaks personally about the project, “I believe in the power of sound to clear the body and cleanse the soul. Music is a powerful tool as a listener and as a maker. It changes the state of things internally. I think we need a way to deal with ourselves so that we can better deal with each other….and when we have that, it leads us to a different way of conducting ourselves – a way of empathy, compassion, awareness, consideration, communication – a mutual respect of shared experience. We need focusing agents that help us process experiences – a way to make sense of it all – a way to ge
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